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Module 25

Voice: sound like the same person thinking more clearly

Voice is an accumulation of judgments, so revise to preserve authorship: write from your own perception and design the public piece for the reader.

Part V · 2 min read

On this page 4 sections
  1. Voice is an accumulation of judgments
  2. Do not manufacture quirks
  3. Your most useful public stance: tinkerer, not guru
  4. Write for yourself, then design for the reader

Voice is an accumulation of judgments

Your current editorial doctrine rejects the idea that a good editor should "improve" every sentence. The best pass is often small.

Voice lives in these places:

Small edits can change voice even when the facts remain intact. Changing "I" to "we" does it. So does turning a preference into a rule, replacing a rough but specific phrase with consultant language, or smoothing an uncomfortable admission.

Do not manufacture quirks

A voice is not a collection of signature devices: sentence fragments, rhetorical questions, profanity, em dashes, punch lines, or recurring metaphors.

Those can all be part of a voice. Adding them deliberately to appear human usually creates another kind of artificiality.

Your most useful public stance: tinkerer, not guru

A recurring shift in your writing has been away from performing expertise. It moves toward documenting experiments, decisions, mistakes, and evolving models.

This stance has several consequences for the prose:

The result is not false modesty. It is traceable conviction.

Write for yourself, then design for the reader

Zinsser's advice to write for yourself and McEnerney's reader-centred approach look contradictory only if you collapse discovery and publication into one stage.

A useful reconciliation is:

Write from your own perception and judgment. Design the public piece for the reader's understanding.

Do not perform a voice to please a reader. Do not make the reader reconstruct a private thought process merely to preserve authenticity.